Summary Of Beethoven s The Little Pathetique

Beethoven began the other two sonatas comprising the Op. 10 group in 1796, but may have started this particular sonata toward the end of 1795. All three of the sonatas of his Opus 10, it is dedicated to Anna Margarete von Browne, the wife of one of Beethoven s patrons, a Russian diplomat in Vienna. The work has been nicknamed the little pathetiquà © , as it shares many traits with the most known 8th sonata. Allegro molto e con brio, the first movement of the sonata, opens the exposition (mm.1-105) with a very lively and energetic phrase that builds tension by using ascending notes from the tonic chord. Although the phrase is important by setting the tone and energy for the rest of first movement, but it sets up a certain motive that can be seen in all three movements. This motive consists of a short note value followed by a longer note value (see example 1). The principal theme (mm.1-30) is filled with different variations of the motive such as in measures 13-15 where the motive is used in the left hand and descends compared to the previous ascension. Following the end of the principal theme, a transition (mm.32-55) occurs which modulates to F Minor and then modulates again to set up for the second theme (mm.56-63) in E-flat Major. At the end of the transition (mm.49-52), another variation of the short long-short can be seen in a retroversion of the format (see example 2) which is then followed by the motive filled in with neighboring tones between the down beats toShow MoreRelatedBiography of Ludwig Van Beethoven3909 Words   |  16 PagesCONTENTS Biographical Essay Further Readings Source Citation Updates BIOGRAPHICAL ESSAY The instrumental music of the German composer Ludwig van Beethoven (1770-1827) forms a peak in the development of tonal music and is one of the crucial evolutionary developments in the history of music as a whole. The early compositions of Ludwig van Beethoven marked the culmination of the 18th-century traditions for which Haydn and Mozart had established the great classical models, and his middle-period